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The broad spectrum: studies in the materials, techniques, and conservation of color on paper

The broad spectrum: studies in the materials, techniques, and conservation of color on paper
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Field name Details
ISBN 1873132573 (hbk.)
9781873132579 (hbk.)
Meeting Name Broad spectrum : the art and science of conserving colored media on paper (1999 : Chicago)
Title The broad spectrum : studies in the materials, techniques, and conservation of color on paper / edited by Harriet K. Stratis and Britt Salvesen
Publisher London : Archetype, 2002
Physical desc. viii, 263 p. ; ill. (some col.) ; 31 cm.
Note Proceedings from a conference, The broad spectrum: the art and science of conserving colored media on paper, held at the Art Institute of Chicago in October 1999 -- Pref.
Bibliography etc. Includes bibliographical references.
Contents Pastel and chalk: An aesthetic overview of the pastel palette: 1500-1900 / Marjorie Shelley -- Distinguishing between chalk and pastel in early drawings / Thea Burns -- Making up the face: technique and meaning in the pastels of Rosalba Carriera / Thea Burns -- Materials, methods, and meanings in Edgar Degas's late pastels / Richard Kendall -- An investigation of the pastels of Giuseppe De Nittis and the pastel revival of the later nineteenth century / Anne F. Maheux -- James McNeill Whistler: the color of line / Margaret F. MacDonald -- Blues and browns and drabs: the evolution of colored papers / Peter Bower -- Housing a pastel collection at the National Archives of Canada, pt.1: pick it up ... and move it out / Gilbert L. Gignac and Gregory J. Hill -- Housing a pastel collection at the National Archives of Canada, pt.2: God is in the details: the conservation treatment of early Canadian pastels / Maria Bedynski and Gregory J. Hill -- Watercolour and ink: Cause and effect in the historical development of watercolor / Marjorie B. Cohn -- Observations on the functions of watercolors and pastels in Italian Renaissance drawings / Thomas McGrath -- The history and technology of Renaissance and Baroque hand-colored prints / Susan Dackerman and Thomas Primeau -- The analysis of watercolor materials, in particular Turner's watercolors at the Tate Gallery (1790s to 1840s) / Joyce H. Townsend -- Paul Cézanne's watercolors: his choice of pigments and papers / Faith Zieske -- Winslow Homer's watercolor pigments / Barbara Berrie, Yoonjoo Strumfels, and Carol Tolocka -- The history and use of colored inks / Carlo James -- Aging of paper and pigments containing iron and copper: a review / Vincent Daniels -- Effects of aqueous treatment on iron-gall ink: monitoring iron migration with the iron (II) indicator test / Elmer Eusman -- All the colors of white: the changing nature of white papers / Peter Bower -- Nineteenth and twentieth century materials: In the kitchen with Paul Gauguin: devising recipes for a symbolist graphic aesthetic / Peter Kort Zegers -- The use and misuse of distemper in the works of Édouard Vuillard: a curator's view / Gloria Groom -- The use and misuse of distemper in the works of Édouard Vuillard conservator's view: a conservator's view / Faye T. Wrubel -- The treatment of two Karel Appel gouaches / Piet van Dalen and Gabriëlle Beentjes -- Daylight fluorescent colors as artistic media / Margaret Holben Ellis, Christopher W. McGlinchey, and Esther Chao -- Assessing the impact of storage environments on the color transfer of felt-tipped pen on paper / Barbara Rosenberg -- The preservation and conservation of ink jet and electrophotographic printed materials / Debbie Glynn -- On material(ism) or why painting conservators have all the fun / Daria Keynan -- The materials of Asian art: Color as language in traditional Japanese prints / Roger S. Keyes and Elizabeth I. Coombs -- Aqueous treatment of Ukiyo-e prints of the Edo period: three case studies /Pamela de Tristan -- Painted Japanese screens: the consolidation of paint layers on a paper substrate / Sandra Grantham and Alan Cummings -- The conservation of a set of Japanese fusuma / Mitsuhiro Abe and Sydney Thomson -- Chinese color printing technology and history in the Ten Bamboo Studio manual of painting and calligraphy / M. Brigitte Yeh -- Indian paintings on paper, textiles, and mica: conservation, storage, and display / Mike Wheeler, Pauline Webber, Anna Hillcoat-Imanishi, and Clair Battisson -- The assessment of fading: Statistics without anesthesia: interpreting color data / Roy Perkinson -- The use of the X-Rite Colortron™ for color measurement of watercolors / Barbara J. Mangum and Arlen Heginbotham -- Pursuing the fugitive: direct measurement of light sensitivity with micro-fading tests / Paul M. Whitmore -- The user's point of view: micro-fading test results and the shaping of exhibition policy / Craigen Bowen, Barbara J. Mangum, and Meredith Montague.
Subject Art -- Conservation and restoration -- Congresses
Art -- Technique -- Congresses
Paper -- Preservation -- Congresses
Pigments -- Preservation -- Congresses
Color in art -- Conservation and restoration -- Congresses
Added name(s) Stratis, Harriet K.
Salvesen, Britt
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